11/11/2023 0 Comments Making your own reflector photographyI would have been writing every single day instead of talking./r/photography is a place to politely discuss the tools, technique and culture of photography. If you don't sort of make yourself a servant to that process, which is so hard, then you don't have anything to do with all that fervor. You can't do anything without the vehicle of a great piece of writing and a great piece of material. ![]() This type of sharpness comes from someone who has grandiose ideas and can mold those ideas into a tangible story.Īs Ehrenreich said in his final moments during the Q&A, "Write every day. While Shadow Brother Sunday strives to be a story that leaves you wanting more, Ehrenreich carefully and deliberately showed his prowess as a filmmaker who has what it takes to make great adult family dramas. We could experiment, we could throw it sideways and I knew that I was not going to, I can't fail. "When I got to the editing room, I did very few closeups and I thought I'd a ton," Ehrenreich said, "because when you're inside of it, it's a different thing and it was fun. The most surprising aspect of being a director for Ehrenreich stepped into the editing bay. When he arrived on set, both as an actor and director, Ehrenreich understood exactly what was needed to film, and still had the ability and time to experiment. The long pre-production also gave Ehrenreich the time needed to navigate the pacing, framing, and shot list he and his team re-created through animatics. ![]() And when you have that rehearsal process, you get to know each other," Ehrenreich says.Īlden Ehrenreich on set of 'Shadow Brother Sunday' Credit: Discussing Films This sort of idiosyncrasy, Rachel's Getting Married is a movie I thought about a lot that really feels that way because a lot of times, as you obviously know, this is your mom and you hate her and you're going, 'Oh hi, nice to meet you.' And you have to sort of fight against all these instincts to get along with people. "That was because I wanted you to believe this was a family and I wanted you to believe that there were details and that there was a world on screen. From Zoom marriage counseling to improv class and family dinners, Ehrenreich spent time with his cast to develop a complicated relationship that would have to extend off-screen. "The rehearsal process was super important to me," Ehrenreich said during the Q&A after his film screened for a small audience at the Huron Substation in Los Angeles, CA. I could also see the reflective film being used in plenty of other custom situations where you need to bounce a lot of light back into a large area - as you could simply use the entire sheet (and it's going to be cheaper than something made specifically for filmmakers). If the silver is too much or too direct, there are plenty of materials you could buy at any hardware store that are white and reflective, though if you want closer to the same quantity of light, you'd have to bring the white reflective material much, much closer to the talent.ĭue to the COVID-19 pandemic, the short film's four-day production was pushed, but Ehrenreich and his team used the time to focus heavily on pre-production. Here are the materials used in the video:Īre there other solutions for this? Of course there are, and you could always buy more foldable reflectors or bounce boards and rig them down with C-stands, but if you're tight on time, money, and resources, it should do the job. In this video below, Luke shows you how to make some inexpensive DIY reflectors: ![]() Recently for Luke Neumann, that problem was figuring out a way to have a number of sturdy reflectors for fill light that wouldn't blow in the wind, and would also be relatively easy to set up with a small crew. Sometimes you need a solution to a problem on set and you've got limited resources and limited time to solve it.
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